George: Historical books are a little grittier, which is one of the things I wanted to do when combining the two; to take that sort of gritty realism you find in a historical novel and combine it with the imagination and wonder of Fantasy.
I have thought about writing historical fiction myself, when I interviewed Bernard Cornwell for Harper a few months ago we talked about this. For me the frustration in writing real historical fiction is that if you know history you know how it comes out. You can write about the actual Wars of the Roses and you know what’s going to happen to those princes in the tower and you know what’s going to happen at the battle of Bosworth Field. With my books I like to keep them a little off balance. Ultimately you don’t know what’s going to happen to the kids in my books or who’s going to live or die or end up with their head on a spike.
But the reading experience can be quite similar. Jane has been reading the Accursed Kings series by the great Maurice Druon – a wonderful series of historical novels. One of the great things for me when I read them was that I didn’t know a lot of the history. You know, French people may know all of this but for me it wasn’t something that was covered on our history courses, nor presumably, in history courses here. I didn’t know who these people were, even only the most abstract terms, or how this was going to come out. That was a very similar reading experience to a fantasy novel.
Jane: They read incredibly fresh. We’ve just bought the world rights to publish them because they’ve been out of print since the sixties, I think it’s going to be great fun to make them available to people. They read as if they were written yesterday, they’re really sharp and funny, as well.
The brothers Goncourt said: “History is a novel that has been lived…” I think that’s a really good quote but I feel also that with A Game of Thrones, you feel that every character in your books has a life that goes on behind the scenes: they’re not just walking out on stage and playing out what you want them to play out. You do see them as real people. How much of that elaboration do you have in your head before you set out writing your characters?
George: I’m not actually deluded enough to think that they are real people. I know that I’m making them up. It seems obvious but I’ve met some writers over the years that have peculiar views on the subject and seem to think they’re receiving emanations from other dimensions or something. I don’t buy into that but certainly when I’m writing these characters and living with them they achieve enormous reality to me.
You know, many years ago I wrote a short story, a novelette actually, that won the Nebula award called “Portraits of His Children”. It is about a writer and his relationship with his characters. Its sort of a cliché that characters are a writer’s children but there’s a great amount of truth to it. At least for a writer like myself; the characters I have created over the years are a part of me, are a part of my life. They are not me, but they are created by me and are a part of me. The analogy with the children has a certain apt-ness to it.
Jane: Well you’re a cruel father
George: I take after the Romans; they had the whole “paterfamilias” thing going on there. If you were a disappointing son “I’m sorry son you’re disappointing me would you please commit suicide”…“Yes dad I’d be happy to”. We’ve lost some of these traditions over the years.